Bimbo Ademoye: My 30th Wedding Copyright Dispute Resolved After Monetization Halt

• Nollywood actress Bimbo Ademoye rejected an apology from Mazi Enemuo after he filed a copyright claim against her film "My 30th Wedding" on YouTube.
• The claim temporarily demonetized the movie, which had garnered 29 million views, prompting Ademoye to offer a ₦1 million reward for information about Enemuo.
• Ademoye asserted ownership of the soundtrack “We Can Take It (My 30th Wedding)” but noted it was not "properly copyright[ed]," a detail Enemuo allegedly exploited.
• Enemuo apologized, claiming he intended to promote the song, but Ademoye dismissed his explanation as insincere, questioning his motives and attempt to claim earnings.
• Despite monetization being restored, Ademoye maintains her bounty and vows to pursue the matter, highlighting critical issues in Nigerian intellectual property protection.

The core of this Bimbo Ademoye My 30th Wedding copyright dispute highlights a critical vulnerability in intellectual property protection for content creators, particularly within Nollywood copyright infringement Nigeria.

Nollywood actress and filmmaker Bimbo Ademoye recently found herself embroiled in a significant intellectual property dispute concerning her YouTube movie, "My 30th Wedding." The film, which premiered on October 1, 2026, on her channel, had reportedly amassed an impressive 29 million views when its monetization was temporarily halted due to a copyright claim. This claim was lodged by an individual identified as Mazi Enemuo, who allegedly uploaded a specific song from the movie's soundtrack and subsequently used it to claim earnings associated with the project.

Ademoye publicly expressed her profound frustration on Instagram, asserting that the soundtrack, titled “We Can Take It (My 30th Wedding),” was an original composition specifically produced for her film by musician Progress, with all rights belonging to her. In her outrage, she announced a ₦1 million reward for anyone who could provide information leading to Enemuo's location, vowing to pursue the matter relentlessly. She also rallied her substantial online following to report Enemuo across various social media platforms and appealed directly to YouTube and YouTube Africa for intervention in the Bimbo Ademoye demonetisation dispute.

Despite the eventual restoration of monetization for "My 30th Wedding" on her channel, a development for which Ademoye thanked her team, her ₦1 million bounty on Mazi Enemuo remained active. Enemuo subsequently issued a public apology, explaining that his intention behind uploading the song was merely to promote the movie's soundtrack and broaden its audience, not to infringe upon Ademoye’s rights. He acknowledged that his distribution platform had initiated a YouTube Content ID claim on the content, taking full responsibility for the situation. Enemuo further stated that he had removed the song from all streaming platforms and committed to ensuring its complete removal within 24 to 48 hours, promising to contact the distributor to prevent any lingering claims.

However, Ademoye swiftly rejected this apology on Instagram, labeling it as "complete bullshit" and insincere. She questioned Enemuo's stated motive of helping her reach a wider audience, pointing out the stark contrast between his approximately 250 subscribers and her own nearly two million. Ademoye critically asked why Enemuo specifically targeted the song she admitted she "didn't properly copyright" among all the tracks in the film, rather than the more viral "Hammerbois song." She also challenged his attempt to claim earnings from her project if his true aim was simply promotion, signaling her determination to use this incident as an example against such unauthorized actions in the Nigerian intellectual property dispute landscape.

The core of this Bimbo Ademoye My 30th Wedding copyright dispute highlights a critical vulnerability in intellectual property protection for content creators, particularly within Nollywood copyright infringement Nigeria. Ademoye's candid admission that the specific soundtrack, “We Can Take It (My 30th Wedding),” was not "properly copyright[ed]" by her, despite her assertion of ownership, underscores the necessity of comprehensive and meticulous copyright registration for all creative assets, including My 30th Wedding soundtrack rights. This oversight created an opening for an unauthorized YouTube Content ID claim, leading to significant financial disruption for a film that had garnered millions of views.

This incident serves as a stark reminder for filmmakers and musicians alike about the mechanisms of platforms like YouTube, where automated systems can be exploited if intellectual property is not fully secured. Ademoye dismissed any suggestions that she was leveraging the controversy for publicity or had been negligent in protecting her work, sharing screenshots of messages to support her stance. The ongoing nature of her resolve to pursue the matter, even after an apology and restoration of monetization, emphasizes the broader need for robust legal strategies to address and deter such challenges, ensuring that creators can protect their earnings and creative output from unauthorized claims.

This case underscores the critical importance for content creators and their legal counsel to ensure comprehensive copyright registration for all creative assets, including soundtracks, to prevent unauthorized content ID claims on platforms like YouTube. It also highlights the need for clear legal strategies in responding to and resolving intellectual property disputes, even when an apology is offered, especially where financial losses or reputational damage have occurred.

Source: Original reporting via PUNCH